Revealed: How to Poison a Planet

A searing examination of the contamination that sparked an international catastrophe and the decades’ long battle with some of the world’s largest chemical companies for justice and compensation.

In Jesus’ Name: Shattering the Silence of St. Anne's Residential School

A poignant all-Indigenous English and Cree-English collaborative documentary that breaks long-held silences imposed upon indigenous children who were interned at the notoriously violent St. Anne’s Residential School in Fort Albany First Nation, Ontario. Use of a homemade electric chair at St. Anne's and the incorporation of testimony about student-on-student abuse makes this documentary stand apart from other films about Canadian residential school experiences. This film will serve as an Indigenous historical document wholly authored by Indigenous bodies and voices, those of the Survivors themselves.

Shipibo Konibo: A Rite of Passage

In Peruvian Amazonia, for the first time in many years, a Shipibo–Konibo community prepare to perform the Aneshiati ceremony: a time of dance, song, festive clothing, and drink—including the sacred tea ayahuasca.

How the Fiddle Flows

How the Fiddle Flows follows Canada's great rivers west along the fur-trading route of the early Europeans. The newcomers introduced the fiddle to the Aboriginal people they intermarried with along the way. A generation later, their mixed-blood offspring would blend European folk tunes with First Nations rhythms to create a rich and distinct musical tradition. From the Gaspé Peninsula, north to Hudson Bay and to the Prairies, How the Fiddle Flows reveals how a distinctive Metis identity and culture were shaped over time. Featuring soaring performances by some of Canada's best known fiddlers and step dancers and narrated by award-winning actress Tantoo Cardinal.

Okimah

This documentary focuses on the goose hunt, a ritual of central importance to the Cree people of the James Bay coastal areas. Not only a source of food, the hunt is also used to transfer Cree culture, skills, and ethics to future generations. Filmmaker Paul M. Rickard invites us along with his own family on a fall goose hunt, so that we can share in the experience.

This Is the Way We Rise

An exploration into the creative process, following Native Hawaiian slam poet Jamaica Heolimeleikalani Osorio, as her art is reinvigorated by her calling to protect sacred sites atop Maunakea, Hawai`i.

Habilito: Debt for Life

Documents the conflicts and tensions that arise between highland migrants and Mosetenes, members of an indigenous community in the Bolivian Amazon. It focuses particularly on a system of debt peonage known locally as ‘habilito’. This system is used throughout the Bolivian lowlands, and much of the rest of the Amazon basin, to secure labor in remote areas.

Through the Repellent Fence: A Land Art Film

The film follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal context. The group bring together a community to construct the Repellent Fence, a two-mile long ephemeral monument “stitching” together the US and Mexico.

No Longer Vanishing

Q'eros: The Shape of Survival

Exploration of the way of life of the Q’eros Indians of Peru, who have lived in the Andes for more than 3,000 years.

The Price of the Prize

First Nations fight to end grizzly bear trophy hunting in the Great Bear Rainforest in British Columbia. The Heiltsuk, Kitasoo Xai'xais and Gitga'at First Nations enforce a ban by using Coastal Guardian Watchmen, while the Raincoast Conservation Foundation purchases trophy hunting licenses in the area to prevent a hunt from taking place. The film offers unique access to Canada's First Nations and a breathtaking view of the majestic animals inhabiting the Great Bear Rainforest, including the elusive Spirit Bear.

Svonni vs the Swedish Tax Agency

A Sámi woman fights for her right to claim a tax deduction against the purchase of a dog. Why the Swedish authorities fail to recognize the dog's use as a reindeer herding tool versus a pet opens up a larger discussion about Indigenous rights and economic discrimination in this humorous takedown of the Swedish government's ignorance of Sámi culture.

Now Is the Time

When internationally renowned Haida carver Robert Davidson was only 22 years old, he carved the first new totem pole on British Columbia’s Haida Gwaii in almost a century. On the 50th anniversary of the pole’s raising, Haida filmmaker Christopher Auchter steps easily through history to revisit that day in August 1969, when the entire village of Old Massett gathered to celebrate the event that would signal the rebirth of the Haida spirit.

Cree Hunters of Mistassini

An NFB crew filmed a group of three families, Cree hunters from Mistassini. Since times predating agriculture, this First Nations people have gone to the bush of the James Bay and Ungava Bay area to hunt. We see the building of the winter camp, the hunting and the rhythms of Cree family life.

Taromenani

In May 2003, around 30 women and children were murdered in the Ecuadorian jungle. The victims belonged to the Taromenani clan, an uncontacted indigenous group in Ecuador. The massacre was left in impunity and oblivion. This documentary explores the history of contact with the Huaorani decades ago, the death of Alejandro Labaka in 1987 and recent attacks on loggers in the area, to discover that these events are linked to the history of uncontacted peoples in Ecuador.

Saving Warru

Warru, or black-footed rock-wallaby, is one of South Australia's most endangered mammals. In 2007, when numbers dropped below 200 in the APY Lands in the remote north-west of the State, the Warru Recovery Team was formed to help save the precious species from extinction. Bringing together contemporary science, practical on-ground threat management and traditional Anangu ecological knowledge, this unique decade-long program has celebrated the release of dozens of warru to the wild for the first time.